Monday, August 2, 2021

Collaborative Review: Space Jam - A New Legacy (featuring Steel)

 

WARNING: This review does contain spoilers.  So if you have any desire to see Space Jam: A New Legacy, this review does go over plenty of content that happens in this.  Please keep that in mind if you choose to go further.




 

Me: Where to even start with this movie.  You all saw the title for this post.  My mind cannot even begin to comprehend that we got a second Space Jam movie twenty-five years later.  Am I hallucinating?  How did this happen?  Why did this happen?  How are they going to remake the essential 90s movie in the year 2021?

Well for starters, I should probably let you all know that I absolutely love the original Space Jam.  Yes, you heard that right.  I love what is often considered one of the worst family films of that decade.  I know why so many people hate it.  Michael Jordan can’t act.  The plot was absolutely ridiculous, even for campy standards.  The fact that this whole idea was inspired by a commercial.  So many problems.  All of them fair.  But I don’t care.  I love this movie to death.  So I’m admittedly not the best judge of character when it comes to tackling one of the biggest movies of the summer; as unnecessary as it is.  Thus I brought on some help.  He’s one of my e-friends of many years, who is fairly knowledgeable when it comes to the animation industry.  Ladies and gents, Steel.

 

Steel: As the surprise collaborator for this review, I should introduce myself a bit first thing. I’ve been in the freelance reviewing game for a while, and my interests are mostly focused on the animation medium…although it has been a long while since I’ve done a review on the topic until this very point, and the new Space Jam movie is a good reason for me to rebound as it’s been one of the most hyped up movies of this current year, while it has also given me the opportunity to make it a collab with Bobby. I have already familiarized myself with the first film prior to this collaboration. I was merely an infant when the first Space Jam was released to theaters, so my exposure to it came at a later time. I’d say that Space Jam was perfectly…okay. In retrospect, Space Jam was an ambitious concept for a film, to crossover a big-name NBA star with a cast of timeless and well-known animated characters, and it opened up the doors for more crossover potential. It was a hit in the box office for Warner Bros., and it renewed interested in the Looney Tunes franchise, so this can be seen as a turning point for the company, as the film allowed for us to see what they were capable of on a large scale, and it gave them the chance to be able to compete with Disney’s Renaissance-era animated films…and then Quest for Camelot happened, but that’s a different story.

Anyways, while the original Space Jam boasted an interesting premise and impressive visuals, the plot has the gaudiness that you would expect from the typical family film: A group of bugs (the Nerdlucks) are ordered to abduct the Looney Tunes for new attractions on their planet only to then be challenged to a basketball game by the Tunes. Learning that the best talents in basketball come from the NBA, the bugs take advantage of this and take away the talent from the NBA players to become the Monstars. Oh yeah, and then Michael Jordan meets the Looney Tunes and helps them with their match after Bugs pulls him down a hole during a golf game. It’s a silly plot, but it’s not the least to expect from a movie starring the Looney Tunes. While the writing for these characters isn’t very sharp, on the other hand...they’re the Looney Tunes. Of course they’re still going to steal the show.

The general consensus of the first film seems to be that while it’s seen as a shameless cash grab and it doesn’t live up to the standards of the classic Looney Tunes cartoons, it’s still an enjoyable film regardless due to its relentless charm. It’s a guilty pleasure film for most of us and it’s got something that brings us all together. If you were a casual sports fan and you weren’t there for the Looney Tunes, you were there for Michael Jordan and for the cameos of other NBA stars during the film’s time period. It also gave us Lola Bunny, who was created to be a love interest for Bugs, and while her character has been despised for lacking any particular traits that you’d expect from a Looney Tunes character and feeling nothing more than a sex symbol, she still managed to have a fanbase since she at least had some personality beyond that. She’s athletic. She’s strong. She’s not like the other girls. Due to the character’s popularity, Lola continued to appear in more pieces of Looney Tunes media, including The Looney Tunes Show, whereas most viewers tend to agree has the best portrayal of the character because we get to see Lola’s zany side, and it worked.

Alright, enough talk about the original Space Jam. The main attraction here is the newer film. So, what did I think of it? For starters, it’s a very complex film to discuss. The best way that I can describe it in one sentence is that it’s simply a bigger budget version of the first Space Jam movie. As I progress with my analysis, I guarantee that you’ll notice that it lingers on familiarity, following a specific formula. Don’t get the wrong idea though. There are clear differences as well. For starters, LeBron James is the main NBA star of this installment, and some of the themes that this film tackles besides teamwork is family and of course, the shortcomings of artificial intelligence. And despite its setbacks, this new Space Jam film still manages to be enjoyable. The point may already be clear as to why I don’t despise A New Legacy like most critics do, but first, let’s talk about the plot.

 

Me:  Yes, the plot.  The plot is admittedly one of the things I admit is a major problem with this movie.  It is almost a little on the nose how much of this plot is rehashed from the original Space Jam.  Right down to basically starting off the movie almost similarly.  Watching a younger version of our NBA superstars that put the plot into motion.  The original Space Jam had a young MJ playing basketball talking about his future with his father which led to MJ’s personal self-journey.  This one has a young LeBron playing admittedly a clever nostalgia bomb in “Bugs Bunny’s Crazy Castle”, but his addiction to technology led to his father questioning his dedication to basketball.  Thus leading to LeBron becoming a stick in the mud who forgot how to have fun in the movie.  This is rehashing that I really could have done without.  And it is not the only time this movie rehashes the original.  There are god knows how many callbacks to how this plot has been done for.  Now I didn’t mind it the first time because it was actually clever how the joke was utilized.  But the second, third, fourth, fifth….yeah the joke starts to lose its luster the more the point gets beaten down that this is indeed a sequel to a movie that probably didn’t need one.

And if rehashing the original Space Jam isn’t enough, that’s not even the biggest plot problem this movie has.  Yes, most of you already know about this movie’s biggest criticism just from the movie trailer.  Let’s talk about the absolutely shameless plugs of Warner-Media’s vast library of intellectual properties.  If I already didn’t have a subscription to HBO Max, this movie would have solely existed to get sceptics to sign-up for HBO Max.  For starters, the movie’s villain is literally called Al-G Rhythm (har har).  And he’s mad at King James for turning down his incredibly stupid idea of inserting LeBron into other Warner IPs; so he wants to get back at him by turning his own son Dom against him and settle their internal conflict in a video game stylized version of basketball. And…..I can’t even begin to describe how ridiculous this is.  The ball is back in Steel’s court.

 

Steel: There are several upon several nods, Easter eggs, and straight-up insertions of Warner-Media’s intellectual properties. First things first, you have LeBron and Bugs travelling to the DC animated universe to find Daffy and Porky, then you have them briefly travelling to the worlds of Mad Max, Austin Powers, Game of Thrones, Casablanca, and so forth. You even got Rick & Morty making a cameo. Whether you see this as Warner Bros. self-promoting their HBO Max streaming service and the variety it offers, or if you see this as them flexing their power as a multimedia company, this film is noted for how it uses its product placement to an excruciating degree. Even I’ll admit it that it holds me back a lot from viewing the second movie as a big improvement over the first, because while the original was nothing more than a crossover between the worlds of NBA and The Looney Tunes, the second film tries to cram so much more into it to the point where it’s hard for me to identify this film with LeBron and The Looney Tunes alone.

After addressing one of the main issues with the second film, I should reaffirm that it doesn’t mean that it prevents me from finding enjoyment in it. As commercialized as it may be, let’s not forget that the original Space Jam was a victim to this from when it was first conceptualized. I could’ve mentioned this during my brief summation of the first film, but I think this is a good time to discuss a part of its history. The first collaboration between NBA and Warner Bros. was through a successful Super Bowl ad campaign for the Nike shoe brand, which starred Bugs Bunny and Michael Jordan together. This partnership was what led to the idea of turning it into a full-fledged film, and while it wasn’t accepted right away, it still managed to get the greenlight when an executive for Warner Bros. saw marketing potential for it, which would turn out to be true in the long run, and that’s why I thought Space Jam was a good opportunity for Warner Bros. to showcase its capabilities in which they failed to do for Scoob! and the live-action/CGI Tom & Jerry movie. So while it is excessive and tedious with its branding, Space Jam: A New Legacy is at least an impressive boast and I can’t help but appreciate that the company had the balls to go as far as they did with their self-promotion.

 

Me: Yeah, I too don’t mind all the self-promoting by the Warners.  Yes there are a lot of groan-worthy moments admist all the self-loving callbacks.  I did not need to see Elmer Fudd and Sylvester in Austin Powers.  I especially did not need to see Granny and Speedy in the Matrix; one of the worst scenes in the entire movie.  But seeing Daffy and Porky interact in the DCU?  Yeah that was actually hilarious.  Right down to making LeBron the Robin to Bugs’s Batman.  As an avid basketball fan, that clever in-joke had me in stitches.  And seeing Taz interact with Rick and Morty?  That actually makes more sense than people give it credit for.  And unlike in other Warner self-loving projects like Also watching the entire Warner Bros IP library as the basketball viewing audience brings a crap ton of unintentional comedy.  Some of my personal highpoints that had me laughing were Arnold Schwarzenegger’s Mr. Freeze doing some Arnold spasms, Joaquin’s Joker doing his stupid dance, and new Pennywise pointing and laughing every couple minutes. 

And I’ll give them credit that this movie does a much better job at integrating all these properties together unlike say Ready Player One.  Because those are just avatars of other people that don’t act like their natural characters.  Even if all these IPs are just green-screened in (literally), at least they are staying true to what their identities are.  Which btw, the CGI in this is fantastic.  Especially on the Looney Tunes, who actually look really good computer animated for the thirty minutes or so they are in that style.  The rest of the time they are hand-drawn, which I’m so happy that this movie is like 1/3 hand-drawn animation.  It’s really good 2-D.

 

Steel: That brings me to my next point, so let’s focus on a few of the main positives that I have with this new installment: the animation and the visuals. It’s a big-budget film, so it is expected. The editing, the effects, and the graphic designs in this film are all stunning to look at. The 2D animation is really stellar too, as are the CG designs for the Looney Tunes. In fact, this film has quite a lot of visual appeal to show. On the other hand, it has that style over substance kind of vibe, but the film manages to keep itself focused on the storyline. Is the story writing any good though? Well…let’s go over the villain for a moment, Al-G Rhythm. His main motivation throughout most of the film is to get all the attention that he wants, and he goes to the extreme of abducting viewers of the basketball game in the real world and intends to trap them inside the server if his team wins, and this mainly because of LeBron rejecting his offer. I bring attention to this because I feel like there’s something ironic in a sense about how the film forms a villain based on the algorithm when it feels like the film was structured by an algorithmic system. In other words, Warner Bros. doesn’t shy away from reinforcing certain family film trends to give their new Space Jam film all the attention it could receive.

The plot of this film is your typical family film fluff. Father and son with conflicting interests try to connect with one another. They are roped in the villain’s plot that puts their lives on the line. The main protagonist goes on some sort of road trip as part of his task in trying to win back his son and escape from the world the villain’s trapped them in. The protagonist would then learn a few things about himself and realize his mistake. The film contains your typical “follow your dreams” and “be yourself” message and we even have a Minion-type character in the form of Pete because…why not? This type of character sells. When the product placement is not the big issue with the film, it’s the feeble story. When the movie still has its thrills, I wouldn’t call the plot lackluster per se, but I still believe the writing could’ve been better. One thing I feel like they’ve could’ve established more was with the concept of Al-G Rhythm making Dom turn against his father LeBron and making him pose as a threat in the match, and the equal amount of focus that was put on the other teammates on Al-G’s team (that equally serve as animated cameos of other specific NBA players) overshadows it. 

In addition, the writing is not only guilty of recycling elements from any other particular film. There are moments where it recycles elements from the original Space Jam. Like addressed before, both films start off with a flashback of the young NBA star. Then there’s the basketball game between LeBron & The Tune Squad and The Goon Squad, which feels too structured like the original’s match between Jordan & The Tune Squad and The Monstars. First third of the match, The Tune Squad is off to a bad start due to the opposing team being overpowered. In the middle of the game, the Tune Squad realizes they can outmatch the other team by simply doing what they do best. Last third of the match builds up to the climax anticipating the NBA star and his team securing a win within the last few minutes. Sometime in-between the game, we are even greeted with a celebrity appearance. The first film has one of the golfing buddies, Bill Murray, (mistaken for Dan Aykroyd) showing up in the Looney Tunes world with little to no explanation to fill in a spot for Jordan’s team. Here, we get a cameo, not from Michael Jeffrey Jordan, but from Michael B. Jordan, who, after being summoned by Sylvester, is mistaken for the similarly-named basketball player and wishes LeBron and The Tune Squad the best of luck. Despite these instances of derivativeness, the second film does do a few things different. For the last third of the match, we have Dom transferring to LeBron’s team after the latter talks with him about how he’s free to do what he wants in life, while Al-G takes control of his entire team. Oh yeah, and Bugs Bunny makes the ultimate sacrifice by performing the move that LeBron used that caused the glitch in the game Dom was developing. 

 

Me: Yeah as I stated earlier, there are plenty of callbacks to the first Space Jam.  And while I touched mostly upon the beginning being more or less a repeat of the original, what Steel just recapped is indeed correct.  The third act climax basketball game is absolutely the same structure.  Which I get that’s almost how all sports films end up being, but when you so shamelessly rip yourself for a good portion of this movie; it bears repeating.  Did they really have so little ideas for a twenty-five year old sequel?  I mean yes I still got plenty of laughs during the game as expected with the involvement of the Looney Tunes.  And that cameo during halftime was so fucking predictable, but I still cracked up because of the little moments.  Like Head Coach Daffy suggesting that they trade Sylvester for grabbing the wrong Michael Jordan.  Hell even the Nerdlucks archive footage got a laugh out of me.  There is this layer of charm throughout the entire movie that really does keep this movie from being so obnoxious with its self-referencing and self-loving Warner Brothers plugs.

And what really helped as well is there clearly is a layer of love for the Looney Tunes property.  Not a single toon feels out of character and even the slight modernization of them isn’t too grating.  Well except for Granny saying youthful colloquialisms and…sigh…The Notorious P.I.G.  But at the very least, they get Daffy right.  And Foghorn Leghorn.  And Tweety and Sylvester.  And my personal favorites the Road Runner and Willy E. Coyote.  And they gave more depth to Lola Bunny after so many years of her being a topic for overt sexualizing.  Granted, she’s nowhere near as interesting as she was in say The Looney Tunes Show about ten years ago; but at least we don’t give in to more furry bait.  And most especially, they got Bugs right.  It made sense for him to be the last character left standing when we first returned to Tune World because Bugs is loyal to the Looney Tune branding.  He’s the icon for the property for a reason.  As for his sacrifice at the end?  It stays true to his character for him to overdramatize what happened and then for him to pop up at the very end saying that he can’t die because he’s a toon.  It’s who Bugs is.

 

Steel:  The live-action cast does a good job carrying the film as well. As weak as I found the villain to be, I still enjoyed Don Cheadle’s performance as Al-G Rhythm. LeBron does a good job in acting out as a fictionalized version of himself and manages to carry just about the same weight that Michael Jordan had in the original Space Jam. 

 

Me: So this is probably the only disagreement Steel and I had with our viewing experiences.  I absolutely did not agree about the acting of this movie.  The only actor who I thought did an actual good job in this was Cedric Joe as LeBron’s fictionalized son, Dom.  He is a promising young child actor who I think could get some more roles down the line.  Otherwise, the acting in this is all incredibly awkward.  And hilariously entertaining levels of awkward at that. 

Don Cheadle.  This is a man who has obtained so many acting awards throughout his professional career and when it is all said and done, will go down as one of the most underrated actors of our time.  I mean this guy just got an Emmy award for this year when he showed up in The Falcon and The Winter Soldier for two minutes, maybe less.  He’s that talented…what the fuck was he doing in this?  He was hamming it up to such extremes that he was almost becoming Jim Carrey-esque.  And he seemed so awkward doing all this that I couldn’t help but laugh so much at him.

As for LeBron James, I know this man can act.  I saw him in his supporting role in 2015’s Trainwreck.  He proved he has good comedic timing and can handle serious moments as well.  What even is this performance?  He’s super serious throughout so much of this movie and whenever he does go for comedy, he’s so cringe and offbeat.  Let me put it to you this way.  One of the first couple scenes in this movie has him being a hardass to his son about his questionable commitment to basketball, when suddenly his wife comes over and tells LeBron and his sons that they are having spaghetti and meatballs for dinner.  LeBron responds in such a corny fashion “Oh boy!  My favorite!”  And I laughed super hard at that.

That’s most of this movie in a nutshell.  The awkward pacing and unintentional comedy that is this style of filmmaking.  I can’t even begin to describe to you guys how many bad decisions this movie makes with its writing, acting, and directing; but I still found myself laughing at what I’m supposed to laugh at and what I wasn’t supposed to laugh at.  I had to pause a few times because I just had to catch my breath from so much laughing.

 

Steel: The quality of Space Jam: A New Legacy very much depends on the person. For some, the negatives tend to outweigh the positives while for others, it’s vice versa. There’s a good balance between the positives and negatives that I have towards the film, and I‘d say that, by a margin, the movie’s positive assets outbalances its faults due to the thrills that it offers and as well as due to the relentless charm. I usually rate things with an ‘out of 10’ system. Since Bobby has a grading system, I’ll abide to it and give Space Jam: A New Legacy a light C- grade. It’s too soon for me to gauge on whether or not it means that I liked this second film better than the original Space Jam, but I’ll at least say that the quality has stayed consistent after all those 25 years.

 

Me: Do I like this better than the original Space Jam?  Absolutely not.  Once again, further proving that Michael Jordan is the unquestionable G.O.A.T.  Sure LeBron may be the better actor, but Michael Jordan had the better Space Jam as well.  But that doesn’t mean LeBron doesn’t come close.  This movie was a charming surprise.  I don’t think this movie will be everyone’s cup of tea.  This movie’s problems are glaring just like the original Space Jam and I can absolutely see so many people bothered by the hour and a half long indirect advertisement for HBO Max.  But as someone who does tend to enjoy mindless fluff and especially the Looney Tunes, I got to admit that I had an incredibly good time with this one.  Would I recommend this?  Depends on how much of a tolerance you have for everything listed above.  My final grade is a B.

 

Steel: This ends my review of the film along with Bobby, and it has been a pleasure analyzing it with him. Now if you’ll excuse me, I’m off to eat a bowl of Space Jam-brand cereal in my Space Jam-brand athletic wear, before then watching more Warner-Media shows and films on HBO Max. After I’ve taken care of that, I’m going to invest in Bigchunguscoin so that I can use the currency to pay for a ticket to Six Flags, as I plan to spend my time there consuming my money on some more Warner-Media’s products.

 

Me: And I can’t tell Steel to otherwise.  BLAME THIS MOVIE!


Steel's Final Grade: C-

My Final Grade: B

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